tertium_auris

Simple clip about some VTDemo features. This is a great app to understand the audio effects of Vocal Tract.
VTDemo is not public domain software, its intellectual property is owned by Mark Huckvale, University College London.
www.phon.ucl.ac.uk

Edit by www.marcotonini.wordpress.com

Dialogue between Riccardo Spiritini and Marco Tonini about the present and the future of Tertium Auris Network, http://tertium-auris.ning.com/, 27/12/2008, Verona.
The soundtrack is a mix: AURALI (Spiritini) + VOX AURIS 3 (Tonini) + voices and noises in a tavern.

I have used some Jenny's clip processed by a video software, but not for commercial use. I hope that by my video people enjoy my music and Jenny's art.

Exercises proposed in the video are part of the method Vocal Harmonics in Motion designed by Lorenzo Pierobon.
Learning to send resonance in the membrane of the drum helps awareness of voice and increases the emission control. The vibration feedback is immediately visible through the colored material that you have on the drum

I have multiplied the frequency of a sinus wave for 1,618 (the magic number) and the result for 1,618 again, and so on. The obtained sound is very strange. I will try with my voice.

Bjorling extra-formant

Bjorling extra-formant

Digital diapason is not a sinus wave. This is my explanation.

There are 3 examples. In the first and second we can see the extra-formant in the middle of the screen (~ 2500 Hz - 3000 Hz). Changing the pitch, the position of formants is the same. In the third example I have changed DIGITALLY the pitch, in fact formants change position = the sound seems artificial.

My Madde simple tutorial. Changing the relation between F1 (the first formant) and F2 (the second) we have different vowels.
In the second part of the clip I change the overtones intensity, so we can listen each overtone frequency.

This is a visual-audio mixer software very interesting. It is not mine, I only try to explain it. Each great circle is a sound (obviously you can upload yours mp3). The little balls are pan-pot. Moving circles you can mixing all that you want. Contact me for more explanations. To download: http://visiblearea.com/soundfield/index.html

From Tosca: "Un tal baccano in chiesa!" by the great baryton Leonard Warren. Look at the extra formant to the right.